By
Heidi Trautmann
From
4-14 April 25 ceramic artists from ten different countries have met again
at the Bedesten under the curatorship of Ayhatun Atesin to re-create the ‘old
people’ from Cyprus, the sculptures which have been taken away. Please read the
stories about them in my reviews on the last three terracotta symposia.
http://www.heiditrautmann.com/category.aspx?CID=6511426817#.VzP9YW596Uk
http://www.heiditrautmann.com/category.aspx?CID=4141447726#.VzP93G596Uk
http://www.heiditrautmann.com/category.aspx?CID=7584334363#.VzP9B2596Uk
It
is such a pleasure to see the artists work together in the beautiful space of
the old Bedesten. I have watched them how they embrace their work, how close
they are with it. It is after copies of the originals that the artists worked,
the originals which are in various museums of the world.
The
artists who have brought samples of their studios for display in the Bedesten –
I am duly impressed – are:
Simcha
Even Chen, Kaan Canduran, GEORGE Vavatsis, Rıchy Quin, Aykut Hızılok, Maxim
Delia, Valentins Petjko, Carina Cresta, Aziz Baha Örken, Fahimeh Haydari, Eser Keçeci, Nevin Yici, Hikmet Uluçam,Vahid
Novruzov,Vedia Okutan Gaydeler, Caner Aşcıer, Hamza Avcı, Nilay Dalgın, Tan
Buğra Özer, Nil Bektaş, Cevdet Alparslan,
Emet E.Aslan, Yusuf Can Kulak, Şenay Buluğ, Hasan N. Suçağlar.
Four
of them are from North Cyprus, namely Vedia Okutan, Eser Keçeci, Hikmet Uluçam
and Cevdet Alparslan.
On
May 12, five experts in the fields of archaeology and cultural heritage will
talk about the era of the sculptures and their importance in the country’s
cultural heritage. There will be a catalogue/book on all four terracotta
symposia, collating the experiences of workshops, said Ayhatun Atesin, it will
be most interesting to read. Here are
her words:
Cyprus, an
island which hosted many civilizations being a resource to Mediterranean
culture.
Alashia, an
island of ancient world, Cyprus… Magical Island in the
Hittite-Egyptian-Assyrian epigraphy…Many historical monuments composed during
the island’s 12 thousand- year human history were taken abroad. Today, they are
waiting in nostalgia in the world’s most famous museums…
Just like
migrating people…They are telling a lot… However, the reality is that; “Alashia
is enlightening the world”...”And it will continue to do so…As long as the
world exists”.
How much we, as
the ones who witness the present of this country, know about the past? Or how
much we know about the past? How many of us know the meaning of 12 thousand-
year old wonderful cultural richness blended with the reach cultural heritage
of three continents? What are we going to leave to the next generations? It
seems like we will not be able to leave much to the next generations, since the
cultural heritage has been exhausted while also wiping out the past…
We are reviving
our roots, which have been removed from these territories, by replicating them…
Our story has
begun in Akdeniz village, where the Mediterranean friendship and world
civilizations synthesized. Producing while strolling on the traces of the past…
Witnessing the history while watching the wonderful scene of the coast, where
the mountains meet the sea. Ensouling the clay, while respiring in pine-tree
forests with texture inherited from old times. Then, the artists gave a
mystical spirit to the clay under the gothic style of Bedesten…
Against the
alienation which has been dragging us to loss of power and faith as well as
insensitivity as a result of technology, history has revived with the
importance of creative power of humanity and art towards spreading wisdom,
goodness and beauty.
By
May 14 the time for re-creating the past will be over, the artists return to
their home countries and their own work, but the sculptures will remain here.
It will take some time until the forms are dry enough to be fired. The over two
metres high statues will be fired in two or three parts and then put together
again. The firing will be done in Nicosia.
We
shall need a space to give a home to – as I call them – the ‘old people’, at
the moment they are under the roof of the Bedesten. The new collection is a great achievement and
it should be given the attention and respect it commands.